Unless you’ve been living under a rock for the past 30 years, you’ve heard of the show Seinfeld. It’s impossible to overstate what a huge part of pop culture Seinfeld was in the 90s and continues to ...
Whether you're a "Seinfeld" devotee or not, the iconic synth-bass sounds of the sitcom's theme music are unmistakable. And the man behind the improvised riff is just as original. Meet composer ...
You may not have given it much thought because it generally served as background noise, but the famous slap bass theme song for Seinfeld was actually kind of groundbreaking. In an interview with ...
"Seinfeld" first aired in 1989, but even over 30 years later, fans might not know these fun facts. The "Soup Nazi" bit from the show was based on a real person, and Elaine almost wasn't a character.
Most people have probably never heard the name Jonathan Wolff, but chances are they’ve almost certainly heard his music. Over the course of his decades-long career in television, Wolff was responsible ...
SAN MARCOSSAN MARCOS — You don’t know his name, but chances are you know his music if you’ve watched popular TV in the past 30 years. Jonathan Wolff is known as the “Seinfeld Music Guy,” but that was ...
Jonathan Wolff said he offered to change the song so that David, Seinfeld and the others could focus on winning battles over the other notes, but co-creator David "wasn't having it." By Abbey White ...
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Who’s gonna turn down a Seinfeld video game? It’s Seinfeld, it’s a video game — it’s a Seinfeld video game! Pippin Barr and Jason Richards, the warped mind behind popular Twitter account @Seinfeld2000 ...
Celebrating 20 years since the "Seinfeld" series finale, James Corden unearths tape from one of his early gigs when he was hired to sing some vocals on the show's legendary theme song.
Jonathan Wolff is the man behind many of your favorite TV themes, from "Seinfeld" to "Will & Grace" to "Caroline in the City." In total, he's composed for 75 prime-time network TV series, including ...
Take a listen as mashup creator JJ P takes the light and bouncy, mouth-noise and synth-led Seinfeld theme and blends in Fred Durst's aggressive ode to going postal (Hello, Newman!). Though Durst still ...