Decades are never neat: they don’t simply go from 1 to 10, or 0 to 9. So it is with the Swinging Sixties, which actually ...

How do you adapt a book like The Waves? A terrifying idea, and one I could not get out of my brain, from the moment the ...

It is almost without fail that Birmingham’s Supersonic Festival is guaranteed to be one of my annual musical highlights – and ...

David Pearson’s debut play, Firewing, part of Hampstead Theatre’s INSPIRE project for emerging writers, is a heartfelt ...

Scott Bennett is a busy guy at the moment, touring as he is with not one, but two shows; Blood Sugar Baby, a personal piece ...

Sky Atlantic’s new thriller, Prisoner, is a tense and twisty story involving a sinister crime syndicate called Pegasus, whose ...

Ostensibly, Jesca Hoop’s music is categorised as folk. How to square this with “Big Storm,” the fourth track from the ...

Before last night's still-shocking saga of a downtrodden soul began, Southbank Artistic Director Mark Ball came on to tell us ...

In the delirious and exhilarating Sephardic dance that finished their concert devoted to the Jewish, Muslim and Christian ...

We tend to indulge hagiography when it comes to biopics of pop icons. To get the rights to their music, producers often have ...

It must be exhausting to be a member of Belfast hip-hop crew, Kneecap. Having already recorded a debut album and fistful of ...